On March 25, 1979, my life changed overnight. I was one of the stars of a made-for-TV movie called Sooner or Later, along with Barbara Feldon and Denise Miller. In the film, I was a guitar instructor, and I fell for one of my young students who lied about her age (she was only thirteen). The movie was written and directed by Bruce Hart, who also wrote the Sesame Street theme. The day before the movie aired, I could walk the streets without being noticed, but that next day, I was literally swamped by five hundred girls when I tried to go shopping for clothes. Suddenly, I was this teen idol with a hit record from the film called "You Take My Breath Away", which I recorded for Columbia in one take. When it was played back in the studio, I said I needed to go to the bathroom. There, crying, I just knew I'd just recorded a big, big hit record. You can just tell. It was an amazing time in my life.[3]
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In another way, Ridley Scott's 1979 movie is a great original. It builds on the seminal opening shot of "Star Wars" (1977), with its vast ship in lonely interstellar space, and sidesteps Lucas' space opera to tell a story in the genre of traditional "hard" science fiction; with its tough-talking crew members and their mercenary motives, the story would have found a home in John W. Campbell's Astounding Science Fiction during its nuts-and-bolts period in the 1940s. Campbell loved stories in which engineers and scientists, not space jockeys and ray-gun blasters, dealt with outer space in logical ways.
Variety noted a few years later that Weaver remained the only actress who could "open" an action movie, and it was a tribute to her versatility that she could play the hard, competent, ruthless Ripley and then double back for so many other kinds of roles. One of the reasons she works so well in the role is that she comes across as smart; the 1979 "Alien" is a much more cerebral movie than its sequels, with the characters (and the audience) genuinely engaged in curiosity about this weirdest of lifeforms. 2ff7e9595c
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